Research Degrees
We have research strengths in 19th- and 20th-century British
music, aesthetics, the Classical period, the French Baroque,
historiography, music theory and analysis, performance practice in
the Renaissance and Baroque periods, performance studies, the
philosophy of music, plain chant, the psychology of music, timbre,
film, the Second Viennese School and semiotics.
Research students are initially registered for MPhil, then
transferred to PhD after satisfactory progress. First-year research
students participate in the MMus modules Musicological Contexts and
Research Methods as part of their training.
Admissions
We consider students for research degrees in any area in which
we can provide adequate staff supervision and library or other
relevant resources. You are welcome to contact the Music Admissions
Tutor, Dr Alexander Binns (a.binns@hull.ac.uk) in advance
of the application to check the suitability of your chosen subject
area.
Area of Staff PhD supervision
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Dr Alexander Binns
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Music in film
Critical theory
Modernism and Postmodernism
Theories of popular music
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Dr Alastair Borthwick
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Modern music, especially post-1945 British music
Music theory and analysis, especially in relation to aesthetics,
music cognition and semiotics
Composition
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Dr Peter Elsdon
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Improvisation
Jazz, especially post-1960
Popular music
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Dr Elaine King
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Performance studies
Psychology of music
Music analysis
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Dr Mark Slater
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Critical musicology (popular music and culture)
Composition (experimental and popular music)
Music analysis |
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Dr Lee Tsang
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Conducting, orchestral and vocal studies
Expressionism
World Cinema and animation
Music analysis and perception (especially in relation to
timbre)
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Prof Christopher Wilson
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Shakespeare Music (including opera, incidental music, music in
production, concert music)
Early Modern English Music/Words
Music Theory in Britain c.1560-1650
Thomas Campion (1567-1620)
Music/Poetry of Victorian Britain
20th-Century English Lyric Romantic Music
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