Research Degrees

We have research strengths in 19th- and 20th-century British music, aesthetics, the Classical period, the French Baroque, historiography, music theory and analysis, performance practice in the Renaissance and Baroque periods, performance studies, the philosophy of music, plain chant, the psychology of music, timbre, film, the Second Viennese School and semiotics.

Research students are initially registered for MPhil, then transferred to PhD after satisfactory progress. First-year research students participate in the MMus modules Musicological Contexts and Research Methods as part of their training.

Admissions

We consider students for research degrees in any area in which we can provide adequate staff supervision and library or other relevant resources. You are welcome to contact the Music Admissions Tutor, Dr Alexander Binns (a.binns@hull.ac.uk) in advance of the application to check the suitability of your chosen subject area.

Area of Staff PhD supervision

Dr Alexander Binns

Music in film
Critical theory
Modernism and Postmodernism
Theories of popular music

Dr Alastair Borthwick

Modern music, especially post-1945 British music
Music theory and analysis, especially in relation to aesthetics, music cognition and semiotics
Composition

Dr Peter Elsdon

Improvisation
Jazz, especially post-1960
Popular music

Dr Elaine King

Performance studies
Psychology of music
Music analysis

Dr Mark Slater

Critical musicology (popular music and culture)
Composition (experimental and popular music)
Music analysis

Dr Lee Tsang

Conducting, orchestral and vocal studies
Expressionism
World Cinema and animation
Music analysis and perception (especially in relation to timbre)

Prof Christopher Wilson

Shakespeare Music (including opera, incidental music, music in production, concert music)
Early Modern English Music/Words
Music Theory in Britain c.1560-1650
Thomas Campion (1567-1620)
Music/Poetry of Victorian Britain
20th-Century English Lyric Romantic Music