Selected Publications

‘Journeys to the Edge: Self-Identity, Salvation and Outlaw(ed)
Space’, in Stephen Knight, ed., Robin Hood in the Greenwood
Stood: Alterity and Context in the English Outlaw Tradition
(Turnhout: Brepols, this has passed the proof stage, and is due for
publication any time now - 2011) 36-53
‘Mouvance, Greenwood and Gender in The
Adventures of Robin Hood and Robin Hood: Prince f Thieves’ , in
Stephen Knight, ed., Robin Hood in the Greenwood Stood:
Alterity and Context in the English Outlaw Tradition
(Turnhout: Brepols, forthcoming 2011), 117-133 (?) 50% with Dr
Brian Levy , his contribution reworked by L Coote from remaining
notes, with her own additions
‘A Short Essay about NeoMedievalism’ in
Studies in Medievalism XIX: Defining Neomedievalism(s),
ed. Karl Utz (Cambridge: D.S. Brewer, 2010), 25-33
‘The Art of Arthurian Cinema’, in A
Companion to Arthurian Literature, ed. Helen Fulton (Oxford:
Wiley-Blackwell, 2009), 511-524
‘Genealogical Rolls and Charts’, in
Encyclopaedia of the Medieval Chronicle, ed. R.G.Dunphy
(Leiden and Boston: Brill, 2010), 672-677. (50% with Professor Joan
Holladay):
‘Knights on Film’ in Knights in History
and Legend, ed. C. Brittain Bouchard (Lane Love NSW: Global
Publishing, 2009), 260-267:
‘Prophecy, Genealogy and History in Medieval
English Political Discourse’, in Broken Lines: Genealogical
Literature in Medieval Britain and France, eds. R. L.
Radulescu and E. Donald Kennedy (Turnhout: Brepols, 2008):
27-44
‘Toward Criteria for Creative Assessment in
the English Honours Degree Program’, Pedagogy vol. 7
(2007), 544-555 – with Fiona Wright (research assistant)’
Laughing at Monsters in Richard Coeur de
Lyon’, Grant Risée?: The Medieval Comic Presence.
Essays in Memory of Brian J. Levy, ed. A. P. Tudor and A.
Hindley(Turnhout: Brepols, 2006): pp.193-211
‘The Subversion of Medievalism in Lancelot du
Lac and Monty Python and the Holy Grail’, Studies in
Medievalism XIII (Cambridge: D.S. Brewer, 2006), 99-126 (50%
with Dr Brian Levy):
‘Chaucer and the Visual Image: Learning,
Teaching, Assessing’, in Teaching Chaucer, ed. Gail
Ashton and Louise Sylvester (Palgrave Macmillan, 2006), pp.
139-152
‘The Crusading Bishop: Henry Despenser and his
Manuscript’, Prophecy, Apocalypse and the Day of Doom,
Harlaxton Medieval Studies XII, ed. Nigel Morgan (Donington: Shaun
Tyas 2004), 39-51:
‘The Middle Ages go to the Movies’: Medieval
Texts, Medievalism and E-learning’ Studies in Medieval
and Renaissance Teaching 10, 25-49, with Dr Brian
Levy, University of Hull (2003)
Geoffrey Chaucer: The Canterbury
Tales, ed., with notes, glossary and introductions, by
Lesley A. Coote (Wordsworth, Ware, 2002):
(2011 under revision as an academic
textbook)
‘A Letter from Babylon: Henry VI and the
Sultan of Syria’, Al-Masaq, Vol. 14, (March 2002):
17-24:
Prophecy and Public Affairs in Later
Medieval England (York Medieval Press, 2000)
(currently being prepared as an e-book)
‘Richard, Son of Richard: Political Prophecy
and Richard III’, Historical Research (October 2000),
321-30, 50% with Dr Tim Thornton, University of Huddersfield:
‘Merlin, Erceldoune and Nixon: A Vernacular
Tradition of Political Prophecy’, New Medieval Literatures
4, (Oxford, Oxford University Press, 2000), 117-37, 50% with Dr Tim
Thornton, University of Huddersfield:
‘A Language of Power: Prophecy and Public
Affairs in Later Medieval England’, in Prophecy: The Power of
Inspired Language in History 1300-2000 (Stroud, 1997), ed. B.
Taithe and T. Thornton, 17-30:

Research
Dr Coote’s research work is concentrated in
the related fields of medieval studies and neo/medievalism.
It frequently crosses boundaries between them. She
specialises in medieval prophecy/moralia/miscellanea, romance,
political literature and ‘outlaw’ studies. Her other
specialist field covers the epistemologies of medievalism and
neo-medievalism, in film, new media, literature and the image.
She has published a book on political prophecy
in later medieval England, and an edition of Chaucer’s
Canterbury Tales, which she is currently revising for a
new edition. Her other published work includes articles on
Arthurian and other ‘medieval’ film, theories of neo-medievalism,
political prophecy in the later Middle Ages, crusader romances,
Robin Hood on film, medieval forests and outlawed space, and
violence against the body in medieval and neo-medieval
culture.
In addition to her writing, Dr Coote makes
regular appearances at conferences, congresses and symposia, where
she has spoken on a variety of subjects, such as outlaws in
medieval and modern culture, prophecy in the Middle Ages, Vikings
on film, prophecy and genealogy, theories of medievalism and film,
crusade films, the medieval image, and various pedagogical subjects
relating to medieval studies and IT, and creative forms of
assessment in medieval and neo-medieval studies.
Dr Coote is currently writing a book on the
relationship of modern to medieval cultural perceptions, and
planning a new, edited, volume on medieval outlaws.