Poet
in residence to unite art and
science
2 March 2012
A Leverhulme Poet in Residence at the University of Hull’s
Scarborough Campus is helping to teach Aquatic Zoology as a way of
enhancing students’ understanding on how to use language
effectively. He will create a new sequence of poems and prose that
explore the values and techniques of scientific research.
In a unique project that aims to bring
together different disciplines, Dr John Wedgwood Clarke who is a
poet, editor and teacher will spend the next year at the
Centre for Environmental and Marine Sciences to create a
dialogue between science and art.
It is hoped that John will reveal the life of the department to
itself, he will be the eyes and ears of the department, collecting
voices, making observations, detailing images and events. This
distance and clarity of insight will allow him to say things that
are not usually said, and to connect people who may not realise
just how much they have in common. He will also be able to connect
threads of thought and activity between different disciplines
across the Campus.
The proposal for a Leverhulme Artist in Residence was developed
as a collaboration between poet John and Marine Biology Lecturer Dr
Magnus Johnson who sees huge benefits in adopting an
interdisciplinary approach. Magnus explains: “In ecology the
interesting bits are often at the boundaries between ecosystems,
for example in the intertidal zone between the land and the sea. I
believe the same to be true at the boundaries between disciplines;
John’s interest in the Sea counterpoints nicely with the natural
love academics have for words.”
Similarly, John responds “I think that powerful poetry and
effective science arise out of conversation with practitioners; the
more you collaborate and share, the richer the results. This
project will be about making a range of cross-fertilisations and
contexts possible within the department and hopefully lead to the
creation of new and surprising work.
John continues: “ Both poets and scientists name the world in
order to share it with others. How they do it may differ, but at
heart, the best of them study the world around them and try to see
knew things in the old familiar world, whether that be by looking
in a rock pool or talking about love. New poetic metaphors are made
by connecting previously unrelated material, and scientific
developments are often made when different, previously discrete
disciplines, are allowed to intersect and share their different
ways of conceptualising the world. Bringing poetry and science
together allows the two disciplines to refresh each other by
exchanging their techniques and values. This is an exciting, timely
project, and I am delighted to have the opportunity to learn from
new colleagues and students and to share what I’ve learnt.”
During his time on campus, John will set up a poetry booth on
campus and talk to as many students as possible to find out just
how much they know about what their fellow students do. These
conversations will be noted and tagged and where interests
intersect, people will be connected up via a notice board.
He will offer creative writing workshops based on research
projects that are being undertaken by members of the department. He
will read the research and then explore with staff what the
different options the poet might take in transforming the research
into a poem or presenting the material to a general audience.
Each fortnight, he will write a poem about an aspect of
departmental life. This poem will be projected onto the walls of
the library and highlighted on the campus website.
John will also work with a local school to bring a group of
children to campus to visit a research site and return with
specimens to the laboratory. These children will take part in a
creative writing workshop interpreting the materials they have
gathered and the discoveries they have made. These will be
presented together with the work of students produced during their
series of creative writing sessions in order to see how priorities
of observations change as people age, and to discuss what is lost
and what is gained.
Dr Magnus Johnson concludes: “John will help students and staff
to explore their skills as writers to help them explore boundaries
between scientific responsibility and the need to communicate their
discoveries to a wider audience. Having a member of staff with a
completely different “take” on our discipline will challenge us and
help us to broaden our outputs. The generally incremental nature of
science means that we often look a the foreground and worship
statistical significance, perhaps missing out on reviewing larger
scale significances and what small steps may build towards. The
presence of an inquisitive poet will encourage us to review and
develop our purpose in research and teaching.”
Ends.
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Notes to Editors
About John Wedgwood Clarke
John Wedgwood Clarke is
a poet, editor and teacher. He trained as an actor at the Guildhall
School of Music and Drama and has a D.Phil. in 20th poetry from the
University of York. In 2010, he was shortlisted for the Manchester
Poetry prize and for the National Poetry Competition in 2011.
He specialises in the production of text for public art
projects, often through collaborative work with local communities.
Recent examples include, The Shop of Priceless Things (Rotherham,
2010), The Cinder Track (Scarborough, 2010), Wander: a poem
sequence for benches on the Wolds Way (East Riding of Yorkshire,
2011) and a series of poems for typographical artwork at Thornton
Lodge Community Centre, (Huddersfield, 2011).
A poem from his sequence Scarborough Elegies featured in the
South Banks Centre’s anniversary celebrations of the Festival of
Britain. He also works as UK and Ireland editor for Arc
Publications and teaches poetry on the part-time creative degree at
the University of Hull . Much of his freelance teaching takes place
in museums and galleries. He has recently completed an MLA/ British
Library ‘Literature in Contexts’ commission at Shandy Hall. At
present he is working on a new sequence of poems about the North
Yorkshire Coast commissioned by Chrysalis Arts, and on an sequence
of poems exploring the Artificial Voice for CReSt. Simon Armitage
has recently said: ‘his work is amongst the best to have emerged
from new poets in this country over the past two or three years.’
His work will be included in the Best of British Poetry Anthology,
2012. John was also founding director of the Beverley Literature
Festival and Bridlington Poetry Festival.